
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
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| Name | Size | Date | |||
|---|---|---|---|---|---|
| 38 MB | 05/14/23 | 3075 | 2037 | ||
| 31 MB | 04/30/23 | 2889 | 1924 | ||
| 130 MB | 08/07/23 | 2303 | 1534 | ||
| 109 MB | 03/24/19 | 1236 | 829 | ||
| 3.2 GB | 08/20/26 | 839 | 52 | ||
| 1.3 GB | 02/05/26 | 715 | 210 | ||
| 606 MB | 08/12/26 | 684 | 229 | ||
| 432 MB | 08/20/26 | 541 | 49 | ||
| 2.2 GB | 01/08/26 | 494 | 52 | ||
| 3 GB | 03/05/24 | 457 | 56 | ||
| 2.2 GB | 10/08/25 | 439 | 114 | ||
| 1.5 GB | 07/19/26 | 397 | 5 | ||
| 4.1 GB | 06/08/25 | 390 | 56 | ||
| 2.7 GB | 07/07/24 | 353 | 68 | ||
| 2.5 GB | 12/30/24 | 335 | 27 |