
The day that Pier Paolo Pasolini was killed, Glauber Rocha decided to make this film about the life of Christ in the Third World. Starting from a dialectical synthesis between capitalism and socialism, and a search of interracial relationships in Brazil, Rocha created a work of religious and prophetic tone that results in a kind of bewilderment contemplative, now lyrical, now frantic, soaked in a new messianism. In his last film, the director proposed a tune of sounds and images that build a picture of Brazil and a portrait of himself.
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| Name | Size | Date | |||
|---|---|---|---|---|---|
| 2.5 GB | 05/16/23 | 5 | 1 | ||
| 1.4 GB | 05/16/23 | 0 | 1 | ||
| 2.9 GB | 05/15/23 | 0 | 1 | ||
| 10.5 GB | 05/15/23 | 0 | 1 |